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The Performance of Body, Space, and Place offer a groundbreaking methodology for performance in the Anthropocene, addressing the spiritual and ecological crises of our time through a fusion of Indigenous knowledge and contemporary practice.
Narrative Reticulation explores how personal storytelling in community settings creates meaningful connections that benefit society.
In How to Understand Theatre Audiences, Kirsty Sedgman rethinks live performance, blending theatre history, theory, teaching, and research. This lively book explores key ideas like semiotics and phenomenology while advocating for valuing diverse audience experiences.
The first critical study of punk ballet icon Louise Lecavalier, principal dancer with Montreal-based company La La La Human Steps from 1981-1999, and single most iconic dancer of her generation.
A new theory of aesthetics in which artworks have a death-drive of their own.
This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism.
This book studies the key genres in contemporary Japanese cinema through analysis of their key representative films. It considers both those films whose... Læs mere
Extreme Asia charts the history of the recent cult Asian film invasion, covering a five-year period and focusing on the activities of the distribution company Tartan Films and their incredibly influential ‘Asia Extreme’ brand.
In this ambitious new study, Malini Guha explores representations of global London and Paris as migrant cinematic cities, featuring the arrival, settlement and departure of migrant figures from the decline of imperial rule to the global present.
The various essays in this volume, all written by prominent experts in the field, offer critical discussions of every feature film Cukor directed and include a rich trove of valuable information about their production histories.
Through detailed analyses of key contemporary documentary titles, this book reveals the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in China’s state-sanctioned media.