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An illuminating investigation of how aquatint travel books transformed the way Britons viewed the world and their place within it
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Print production requires designers be familiar with graphic design, typography, illustration, editing, workflow management, materials, proofing, mechanical and photographic outputs, prepress processing, paper, color, manufacturing, and distribution.
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Prints are a means of communication and cultural exchange, in the context of Africa and the African Diaspora; these qualities have a particular... Læs mere
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An inspired collection of the authors’ own work spanning 30 years into the ‘Visual Art Language’. Demonstrates a variety of mediums including oil paint, etching and drawing.
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Bemærk: Kan ikke leveres før jul.
Originally published in 1998, this is the only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on some 2,000 artists, as well as entries on schools of art, on museums, galleries and collections,
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Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. This work helps you discover how to create tinted mono and... Læs mere
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Examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, focusing not only on aspects of Vasari's career, but also on aspects of sixteenth-century artistic culture and artistic practice.
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First published 1990, this volume consists of an introductory essay by Ian Lowe and a comprehensive catalogue of all Wilfred Fairclough’s prints, some 140, from 1932 to the present (1990).
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Ink-Stained Hands fulfils a considerable gap in Irish visual arts publications as the first book to present the activities of printmakers in Ireland from the end of the nineteenth century to the present.