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This book examines the interconnections between punk and alternative comedy (altcom). The Punk Turn in Comedy considers the early promise of punk-comedy... Læs mere
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This book discusses globalization trends and influences on traditional African oral literary performance and the direction that Ilorin oral art is forced to take by the changes of the twenty-first century electronic age.
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This edited collection explores the representations of identity in comedy and interrogates the ways in which “humorous” constructions of gender, sexuality, ethnicity, religion, class and disability raise serious issues about privilege, agency and oppression in popular culture.
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This book takes a journey into the new and exciting created by a the wave of Indian comedians today, described affectionately here as the New Indian Nuttahs, and looks at what these tell us about identity, “Indianness”, censorship, feminism, diaspora and millennial India.
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This book explores xiangsheng, one of the most popular folk art performance genres in China, its enlistment by official propaganda machine after the founding of the People’s Republic of China (PRC) and its revival in popularity under Guo Degang and his Deyun Club.
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This book, first of its kind in the Indian context, brings together both a theoretical understanding of various aspects of the humour, aesthetics and politics of stand-up comedy, and case studies of various forms of stand-up comedy in India.
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This Pivot explores the cultural economy of comedy in the UK, looking specifically at the links between industry practices and structures and who produces comedy in the UK.
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A study of the fragments of Old Comedy, arguing that these fragments greatly enlarge our understanding of the history of Greek comedy.
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An introduction to Aristophanes’ much-debated utopian comedy, its social, cultural, political, and theatrical contexts, and its themes and reception.
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This book highlights the theological, religious, and ethical significance of contemporary stand-up comedy.