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This book is the first ever transnational theatre study of an African region. A History of African Theatre is relevant to all who have interests in African cultures and their relationship to the history and politics of the East African region.
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This project addresses the contexts of Practice as Research and how to undertake it. A comparison is made between Artistic Research and Practice Research recognizing that research through practices with being-doing-knowing is central to both.
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This 1997 volume covers the period which saw the establishment in France of the Comédie-Française, an Italian theatre and a state opera. Over 120 pictorial documents provide a visual dimension. The substantial bibliography helps to make this an important reference work.
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This volume in the Routledge Key Guides series provides a round-up of the fifty musicals whose creations were seminal in altering the landscape of musical theater discourse in the English-speaking world.
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This volume in the Routledge Key Guides series provides a round-up of the fifty musicals whose creations were seminal in altering the landscape of musical theater discourse in the English-speaking world.
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This book aims at renewing the attention on a niche field, Cultural Festivals, so important for valorizing cultural traditions and local heritage visibility as well as social well-being.
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Through its examination of the nexus between the history of emotions and the social and cultural uses of colour in early modern drama, Shakespeare and Emotional Expression adds to our understanding of the expressive and affective possibilities in Shakespearean drama.
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Theatre and the Virtual lays out a set of conceptual instruments for the articulation and engendering of the forces of theatrical potentiality.
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This volume explores how and why we deny, or manipulate, or convert, or enhance reality.
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Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world.
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The first volume of Stanislavski's enduring trilogy on the art of acting defines the "System," a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination.
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This wide-ranging and ground-breaking book, especially relevant given Brexit and renewed Scottish independence campaigning, provides in-depth analysis of ways Scottishness has been performed and modified over the centuries.