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The Improv Dictionary: An A to Z of Improvisational Terms, Techniques, and Tools explores improvisational approaches and concepts drawn from a multitude of movements and schools of thought to enhance spontaneous and collaborative creativity.
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The Third Space serves a crucial need for contemporary performers by providing an interdisciplinary and physiovocal approach to training.
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Voice Made Visible is an exploration of voice training and performance practice based on the use and application of Multi-Octave Vocal Range techniques.
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Borrowing concepts from cognitive philosophy and bringing them into a conversation with critical theory, Gareth White sharply examines meaning as a process that happens to us as we are engaged in the problems and negotiations of a participatory performance.
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This edited collection investigates the myriad ways in which disability performance travels in a globalized world.
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This book focuses on the analysis and interpretation of the first volume of the book An Actor’s Work by Konstantin Stanislavsky.
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