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Eyes of the Ocean is Syaman Rapongan’s literary autobiography, both a powerful story of survival in a settler state and a masterful portrait of the Indigenous artist as a young man.
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Eyes of the Ocean is Syaman Rapongan’s literary autobiography, both a powerful story of survival in a settler state and a masterful portrait of the Indigenous artist as a young man.
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Nariman Skakov offers a new way to understand Soviet modernism, showing how writers and artists looked to the East to renew avant-garde experimentalism under Stalin.
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Nariman Skakov offers a new way to understand Soviet modernism, showing how writers and artists looked to the East to renew avant-garde experimentalism under Stalin.
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This deeply researched book offers new perspective on the NATO-Russia relationship through the eyes of Strobe Talbott, a deputy secretary of state for seven years under President Bill Clinton and the key US diplomatic broker for the former USSR.
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This deeply researched book offers new perspective on the NATO-Russia relationship through the eyes of Strobe Talbott, a deputy secretary of state for seven years under President Bill Clinton and the key US diplomatic broker for the former USSR.
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The Serpent’s Tale traces the intricate global histories of Ku??alini, from its Sanskrit origins to its popularity in the West.
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The Serpent’s Tale traces the intricate global histories of Ku??alini, from its Sanskrit origins to its popularity in the West.
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Emilio J. Castilla analyzes the structure and culture of meritocracy inside organizations, providing a practical, research-backed framework to help achieve true fairness and opportunity for all.
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The research psychologist Barbara Blatchley interweaves an engaging and reader-friendly look at the research on grief with her powerful personal narrative of losing her husband.
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Examining aesthetic criticism, popular literature, avant-garde art, cinema, and political theory, Patrick Noonan argues that cultural producers in 1960s Japan cultivated what he calls an “ethos of disaffection” toward revolutionary politics and postwar society.
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Examining aesthetic criticism, popular literature, avant-garde art, cinema, and political theory, Patrick Noonan argues that cultural producers in 1960s Japan cultivated what he calls an “ethos of disaffection” toward revolutionary politics and postwar society.