The first book-length exploration of time loops in contemporary screen media.
Brings together globally diverse perspectives on how the forces shaping the earth, both human and nonhuman, are articulated in art and cultural practice.
Studies how narrative illustrates the complexity, ambivalence and irresolution of recovery.
Explores contemporary depictions of less-than-adequate mothers to show how caring does not rest on empathy but on other-centredness.
Examines the role of the arts in everyday peace-making, peacebuilding and social transformation in conflict-affected contexts.
Rethinks the place of film theory in a global context.
Provides the first in-depth examination of complaints issues through the lens of access to informal justice and alternative dispute resolution.
Reshapes the narrative and its trajectory in how the working class is discussed in relation to British Cinema.
The life story of Esther Inglis, a French Huguenot refugee and one of the most creative women working in early modern Britain.
Cinematicity in Media History makes visible the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the ‘birth’ of cinema.
Theories of Memory provides a comprehensive introduction to the rapidly expanding field of memory studies.
The first critical edition of J. G. Lockhart’s classic biography of Walter Scott.