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This critical edition introduces new audiences to A Warning for Fair Women, an important but neglected work of Elizabethan drama.
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The authors of this volume explore the Bard’s dramatization of perennial questions about human nature, moral virtue, and... Læs mere
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The question of the materiality of the book has surprising consequences when applied to dramatic writing. In Print and the Poetics of Modern Drama, W. B. Worthen asks how the print form of drama bears on how we understand its dual identity - as play texts and in performance.
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Providing a lively and engaging debate, this volume assesses the impact of the extraordinary Shakespeare's Globe on Bankside, London. Featuring contributions... Læs mere
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Originally published in 1990, Medieval English Drama is an exhaustive bibliography of about 2,000 entries citing recent editions and collections as well as scholarship in English medieval drama. Each item has been annotated in the bibliography with considerable care.
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This book explores how Romantic-era England conceptualized its relation to its constituent parts and the larger world through discussions of dancing... Læs mere
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This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state.
Bemærk: Kan ikke leveres før jul.
This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state.
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This book, first published in 1972, discusses Chekhov’s last four plays. David Magarshack, the leading translator and biography of many of Russia’s greatest writers, closely examines Chekhov’s work for the relevant facts about his writing.
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This book, first published in 1985, contains a comprehensive checklist of all the writer’s plays, with a detailed performance history, excerpted reviews, and most importantly, a selection of Beckett’s own comments on their work drawn from essays, interviews, letters and diaries.
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The essays in this book, first published in 1975, suggest how best to approach Beckett, how to read him, how to get closer to the concrete experience offered by this most concrete of writers. It aims to bring out the full diversity of Beckett’s art as dramatist and story-teller.