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Beckett’s Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss.
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This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship.
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Why do able-bodied characters fake disability in 40 early modern English plays? By illuminating this neglected tradition, this book fills an... Læs mere
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This book examines the influence of the early modern period on Antonin Artaud’s seminal work The Theatre and Its Double, arguing... Læs mere
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This book is about the Wildean aesthetic in contemporary Irish drama. It is of particular pertinence to academics and... Læs mere
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This collection of essays investigates the way Africa has been portrayed on the London stage from the 1950s to the present.
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The Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship examines William Shakespeare’s... Læs mere
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This book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy.
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This book shows that Shakespeare continues to influence contemporary Irish literature, through postcolonial, dramaturgical, epistemological and narratological means.
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By focusing upon a variety of ‘Shakespearean’ individuals, groups and communities and their ‘online’ presence, the book explores the role of popular internet culture in the ongoing adaptation of Shakespeare’s plays and his general cultural standing.
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This book is a study of the plays, performances and writings of Christina Reid. It is a compilation of sorts, gathering... Læs mere
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The present book deals with Sarah Kane’s dramatic text Cleansed to show a specific negotiation of violence, pain, life and death – one that is not necessarily causal or dichotomous.