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Contains three of his early essays from the years following the Russian Revolution
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Rhetorical Aesthetics approaches Chinese art and literature from a novel perspective with special interest and influence in Chinese theory since the 1990s.
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This book radically rethinks the philosophical basis of copyright in the arts. The author reflects on the ontology of arts to argue that current copyright laws cannot be justified.
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The book delves into the affective, embodied, and sensory dimensions of traffic and urban mobility. It brings together key phenomenological and post-phenomenological readings to challenge taken for granted assumptions of urban traffic.
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Why do painters paint? Obviously, there are numerous possible reasons. They paint to create images for others’ enjoyment, to solve visual problems, to... Læs mere
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By contextualizing Walter Pater's aestheticism alongside Alexandre Kojeve's and Georges Bataille's readings of Hegelianism, this book shows that Pater's aestheticism constitutes both a philosophy of death and at the same time a philosophy of the impossibility of death.
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The Ethics of Visuality looks at the key concepts of French philosopher Emmanuel Levinas' work and articulates his vision of 'Otherness' together with the visual tropes of the Human Face as symbolic of alterity and transcendence.
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Heidegger Among the Sculptors is a provocative illustrated examination of Heidegger's sculptural writings that shows how they rethink the relationship between bodies and space and the place of art in our lives.
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This title unravels politics from theatre in order to propose a new means to politicize performance. Performance analyses ranging from child actors,... Læs mere
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"First published in French language by Editions du Seuil, Paris, under the title Vert, Histoire d'une couleur." c2013--Page facing title page.
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Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts... Læs mere
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How did Quakers reconcile their belief in plain living with their appreciation of fine material goods?