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An introduction to the important topics and latest debates in the philosophy of sex, love, and marriage, with additional questions at the end of each chapter to stimulate further thinking about the relevant topics.
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In A Philosophy of Computer Art Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as ‘interactivity’ and ‘user’.
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Philosophy and Theatre is the first introduction to the topic, and an ideal starting point for those studying philosophy, theatre studies and related arts subjects.
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Peirce (pronounced "purse") was a logician, and so many of his ideas are couched in terms of formal propositions and their limitations. His work appeals therefore to many architects grappling with the digital age.
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This volume addresses key questions related to how content in thought is derived from perceptual experience. It includes chapters that focus on single issues on... Læs mere
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This book is an exploration of how art—specifically paintings in the European manner—can be mobilized to make knowledge claims about the past.
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Focussing on the anthropological consequences of the disappearing of materiality and sensory embodiment, On Insignificance highlights some of the most perturbing patterns of insignificance that have seeped into our everyday lives.
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In On the Genealogy of Color, Zed Adams challenges widely held philosophical views about the nature of color, exploring the relevance of the history of color science for contemporary debates in color realism/anti-realism and philosophy of mind.
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Argues that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but ultimately to determine what is of value in art. This book also argues for... Læs mere
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Why does poetry appeal to music? Can music be said to communicate, as language does? What, between music and poetry, is it possible to... Læs mere
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This book provides a deep understanding of the nuances of ethics in the creative environment and contributes to the critical exploration of the nature of research ethics in higher education.
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This book analyzes film experience through the lens of Baruch Spinoza’s embodied philosophy. Spinoza’s philosophy allows us to appreciate and master sad passions and, at the same time, to show the conceptual power of film experience.