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Brings together reflections on cinemagoing from Australia, Belgium, Italy, Japan, Turkey, the United Kingdom and elsewhere.
Interrogates how “Chineseness” is reinterpreted through specific cultural and social developments across the three regions.
An interdisciplinary account of the formal and psychological means by which narrative films engage viewers and elicit the moral imagination.
15 years on from Lisa Lam’s bestselling Bag Making Bible the needs and tastes of the modern... Læs mere