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The Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention... Læs mere
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Offers a focused and perceptive analysis of a phenomenon in our popular culture - the new respectability of the comic book form - and argues that the comics medium has a productive tradition of telling true stories with grace and economy.
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First published in 1947 and long out of print, this book is considered by diehard aficionados of comics as the best book ever written on the subject, and not just because it was the first. In... Læs mere
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For the past forty years the content of comic books has been governed by an industry self-regulatory code adopted by publishers in 1954 in response to... Læs mere
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A carefully curated, wide-ranging edited volume tracing Art Spiegelman’s exceptional trajectory from underground rebellion to mainstream success, this book reveals his key role in the rise of comics as an art form and of the cartoonist as artist.
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In 1977, Dave Sim (b 1956) began to self-publish Cerebus, one of the earliest and most significant independent comics, which ran for 300 issues and ended in 2004. Through it he... Læs mere
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Michael Allred stands out for his blend of spiritual and philosophical approaches with an art style reminiscent of 1960s era superhero comics, which creates a mixture of... Læs mere
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It has become an axiom in comic studies that “comics is a language, not a genre”. In Comics and Language, Hannah Miodrag challenges many of... Læs mere
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How comics generate significance and weave images and words into a narrative art
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Like Art Spiegelman or Alison Bechdel, Chris Ware stands out as an important crossover artist who has made the wider public aware of comics as literature. Editor Jean... Læs mere
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Collects new essays on the work of the creator of the immensely popular Peanuts comic strip. Despite Schulz's celebrity, few scholarly books on... Læs mere
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A wide-ranging critical engagement with the creator of Tintin