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Published in 1981: This is two-hundred catalogues of the Major Exhibitions reproduced in facsimile in forty-seven volumes.
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Iconoclasm and the Museum addresses the museum’s historic tendency to be silent about destruction through an exploration of institutional attitudes to iconoclasm, or image breaking, and the concept’s place in public display.
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Iconoclasm and the Museum addresses the museum’s historic tendency to be silent about destruction through an exploration of institutional attitudes to iconoclasm, or image breaking, and the concept’s place in public display.
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Analyzing the decorative programmes of the most opulent European palaces of the time, Margaretha Lagerlöf investigates... Læs mere
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In recent years, there has been increasing scholarly interest in the history of museums, academies and major... Læs mere
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In recent years, there has been increasing scholarly interest in the history of museums, academies and major... Læs mere
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Exhibiting Craft and Design: Transgressing the White Cube Paradigm investigates the firmly-established manner in which... Læs mere
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Reconstructing Empress Eugenie's position as a private collector and a public patron of a broad range of media, this title examines Eugenie (1826-1920), representations of the empress, and the artistic transformation of a Hispanic woman into a leading figure in French politics.
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This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and... Læs mere
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Vasily Kandinsky was born in Moscow in 1866 and, at the age of thirty, decided to study painting in Munich. He moved to Paris in 1934 and continued to... Læs mere
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The Beverley Gem Collection at Alnwick Castle is one of the most distinguished in Great Britain still in private hands. It reflects the longstanding interest of the English nobility in both assembling and commissioning gemstones.