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Published to accompany an exhibition at the Scottish National Gallery of Modern Art in Edinburgh, featuring two of the artist's most important and compelling works, together with a recent sculpture "Tate Modern on Fire 2017".
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From prehistory to the end of the 20th century, this guide introduces the varied collection of the Museum of Lisbon to illuminate the rich history of one of Europe's oldest cities.
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This stunning catalogue documents Michael Rees's colourful inflatable sculptures that incorporate dynamic augmented reality elements, thus revealing the rich visual vocabulary of digital technologies.
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Highlights a medley of works from the Museum of Photography in Krakow's encyclopaedic collection.
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In Lee Mingwei's works immaterial gifts such as song, conversation or contemplation are given and received, to be ultimately transformed into installations.
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Packed with illustrations, this brief introduction to the Academy's 250-year story considers how its homes and some of its characters have made it what it is.
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Marguerite, Henri Matisse's daughter, and her son Claude Duthuit, are the authors of this catalogue of Matisse's engravings.
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An introduction to the new Kunsthaus Zürich as an art museum for the 21st century, published to coincide with the completion and opening to the public of David Chipperfield's distinctive new extension building in December 2020. Text in French.
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Using examples from the Austrian Bollmann Collection, approaches and developments of contemporary jewellery are presented, and there is a particular focus on the work of jewellery artist Fritz Maierhofer. Foreword by Christoph Thun-Hohenstein.
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The Aime Humbert Collection of early photographs from Japan, used as source to illustrate his travel reports, played a major role in building lasting representations of Japan.
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A book dedicated to a unique collection housed at the Ashmolean Museum, which is rated as one of the greatest in the world.
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An exhibition catalog for a landmark show in Paris of Russian avant-garde, French Impressionist, Post-Impressionist, and Modern paintings acquired in the early decades of the 20th century by a wealthy Russian industrialist.