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*Performing Presence: Between the Live and the Simulated* proposes that the advent of new media forms, and the increasing integration of contemporary performance and media has generated new engagements, practices and understandings of presence.
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Argues the conceptual significance of performance, and of a performative model of art, to the revival of the monument in the wake of the Second World War, the Holocaust and the fall of the Eastern bloc. -- .
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This is the first comprehensive academic study of the history of performance art in Eastern Europe. It is a comparative study that covers twenty-one countries across the region, highlighting the unique contribution of these artists to the genre of performance art. -- .
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Based on original research including interviews with art professionals, Performance in the Museum provides a unique and fresh perspective on the museum's role in the development of performance art.
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Ethical touchstone or thorny complication, indigeneity matters in global debates about natural resources, heritage, governance, belonging and social... Læs mere
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Embodied experience and sensorial understandings in Western music
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Transdisciplinary approaches to the notions of "the contemporary" and "contemporaneity"
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Unique focus on the relation between artistic research and the philosophy of Gilles Deleuze
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Transgendered playwright, performer, columnist and sex worker Nina Arsenault has had sixty plastic surgeries in pursuit of a feminine beauty... Læs mere
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With a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the United Kingdom, this book brings together newly commissioned images and essays to explore new ways of bridging performance and photography.
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This book, the first devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland, brings together contributions by prominent Irish artists and major academics. Co-published with Live Art Development Agency.
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