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Digital workshops and meetings have established a firm foothold in our everyday lives and... Læs mere
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Digital workshops and meetings have established a firm foothold in our everyday lives and... Læs mere
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Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This book will be of great interest to students and scholars in voice studies, opera, music... Læs mere
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First Published in 1951, A Soviet Theatre Sketch Book presents Joseph Macleod’s take on Russian Theatre in a semi-fictional way to show the effect of the productions upon... Læs mere
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Evocative Qualitative Inquiry explores academic research that evokes vitality and life. It provides a road map into... Læs mere
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Civic Performance: Pageantry and Entertainments in Early Modern London brings together a group of essays from across multiple fields of study that examine the socio-cultural, political, economic, and aesthetic dimensions of pageantry in sixteenth and seventeenth-century London.
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Performing Home is the first sustained study of the ways in which artists create artworks in, and in response to, domestic dwellings.
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This book examines folk theatres of North India and discusses their genesis, history and independent trajectory; folk theatre and... Læs mere
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Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience.
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39 Microlectures: In Proximity of Performance is a collection of miniature stories, parables, musings and thinkpieces on the nature of reading, writing, art, collaboration, performance, life, death, the universe and everything.
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The Routledge Dance Studies Reader has been expanded and updated, giving readers access to thirty-seven essential texts that address the social, political, cultural, and economic impact of globalization on embodiment and choreography.
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A collection of essays, memoirs and plays that represent an early attempt to assess and reassess the German Democratic Republic's theatre following the political events and turning points of 1989 and afterwards. Contributors include Christoph Funke, Carl Weber and Jost Herand.