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Moving through Conflict: Dance and Politics in Israel proposes a framework for research and discussion of the changing nature of relations between Jews and Arabs as reflected in dance from the late 19th century Palestine until present-day Israel.
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Pina Bausch’s Aggressive Tenderness maps Bausch’s pieces alongside methodologies of key theater and film practitioners. This book includes discussion of a variety of Bausch pieces, including Sacre du Printemps, Kontakthof, Café Müller, Nelken, Arien, and Vollmond.
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The Dancing God charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. Ideal for anyone with an interest in global dance, this is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.
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Spectrums of Representation in Shakespearean Crossdressing examines the varied types of female characters in English Renaissance... Læs mere
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Preaching the Blues: Black Feminist Performance in Lynching Plays examines several lynching plays to foreground black women’s performances as non-normative subjects who challenge white supremacist ideology.
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Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre examines the function of dramaturgy and the role the of dramaturg in making a theatre performance situated at the crossroads of multiple theatre forms and performative devices.
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This volume proposes a contextualized multimodal framework that brings together storytelling practitioners’ and academic researchers’ conceptions of storytelling, highlighting the ways society uses storytelling as a communicative and educative tool.
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A History of Romanian Theatre from Communism to Capitalism analyses the last three decades of Romanian theatre and connects it to the international stage.
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Through a series of case studies, this book explores the role of live animals on the stage, from the early modern era to the present time. This book was originally published as a special issue of Studies in Theatre and Performance.
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Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive... Læs mere
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Stunts of Late Nineteenth Century New York: Aestheticised Precarity, Endangered Liveness examines the emergence of stunts in the media, politics, sport, and art of New York at the turn of the twentieth century, to show what stunts reveal about value, risk and human life.
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After the Long Silence offers a ground-breaking, meticulously researched criticism of Brazilian contemporary performance created by its post-dictatorship generation, whose work expresses the consequences of decades of state-imposed censorship.