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Floating Bones charts the author’s journey into tensegrity that begins in ballet and culminates in a model for addressing one’s body as a teacher. This book will be of great interest to students, scholars and practitioners of dance, theatre and sociology.
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The Self-Centred Art is a study of the plays of Ben Jonson and the actors who first performed in them.This book addresses Jonson’s dealings with... Læs mere
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This book is an investigation of church music through the lens of performance theory.
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An accessible and intelligent introduction to the dynamic and challenging relationship between feminism and theatre. Discusses wide-ranging theoretical topics and provides diverse case-studies. Comprehensive and clear.
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The Problems of Viewing Performance challenges long-held assumptions by considering the ways in which knowledge is received by more than a single audience member, and breaks new ground by, counterintuitively, claiming that viewing performance is not a shared experience.
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A vigorous inquiry into the art of acting focusing on playing action, this book teaches actors how to do the “doing of acting.” Hugh O’Gorman provides special insight into the acting methods of Earle Gister and Lloyd Richards.
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Movements of Interweaving is a rich collection of essays exploring the concept of interweaving performance cultures in... Læs mere
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This is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance.
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Enacting History is a practical guide for educators that provides methodologies and resources for teaching the Holocaust through a variety of theatrical means, including scripted texts, verbatim testimony, devised theater techniques, and process-oriented creative exercises.
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Horizontal together is an up-close look at the cultural and political power of the langourous queer body, combining historical... Læs mere