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"From Seattle's earliest days as a Gold Rush boomtown to its celebration of the future during the 1962 World's Fair,... Læs mere
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This is an analysis of the form and structure of the 13th-century tomb of St Dominic and an exploration of its meaning to Pisano's contemporaries, as... Læs mere
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"Ancient finger rings made of base metals and low-grade silver alloys are increasingly being unearthed and sold through a growing assortment of marketplaces... Læs mere
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Celebrates the variety and richness of Arabic-language cinema by analysing 28 films released between 1933 and 2021, including Muhammad Khan's 'Dreams of Hind and Camilia' (1989), Moufida Tlatli's 'Silences of the Palace' (1994) and Elia Suleiman's 'Divine Intervention' (2002).
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Celebrates the variety and richness of Arabic-language cinema by analysing 28 films released between 1933 and 2021, including Muhammad Khan's 'Dreams of Hind and Camilia' (1989), Moufida Tlatli's 'Silences of the Palace' (1994) and Elia Suleiman's 'Divine Intervention' (2002).
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Delinda Collier finds alternative concepts of mediation in African art by closely engaging with electricity-based works since 1944.
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Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ren Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies.
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Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology—the reuse, recycling, appropriation, and borrowing of archival sounds and images—by filmmakers provides ways to imagine the past and the future.
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Leticia Alvarado explores how Latino artists and cultural producers have developed and deployed an irreverent aesthetics of abjection to resist assimilation and disrupt respectability politics.
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Acknowledging the difficulty for artists in the twenty-first century to effectively critique systems of power, Anna Watkins Fisher theorizes parasitism—a form of resistance in which artists comply with dominant structures as a tool for practicing resistance from within.
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Delinda Collier finds alternative concepts of mediation in African art by closely engaging with electricity-based works since 1944.
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Diana Taylor offers the theory of presente as a model of standing by and with victims of structural and endemic violence by being physically and politically present in situations where it seems that nothing can be done.