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This book is an investigation of church music through the lens of performance theory.
In this wide-ranging study, pianist and scholar Andrew John Snedden takes a step back, examining the strengths and limitations of Historically Informed Performance.
Aimed at lay, student, and academic readers alike, this book concerns the imagination, and specifically imagination in music. It opens with a discussion of the invalidity of the idea of the creative genius and the connected view that ideas originate just in the individual mind.
This book is the first to help scholars think through the complexities of interdisciplinary research on congregational music-making by critically examining the theories and methods used by leading scholars in the field.
This study considers how curatorial forces are at work within an opera house dentifying the functionaries and processes that guide them.
Black Sea Sketches is a portrait of some of the diverse musical cultures surrounding the Black Sea and in its hinterlands.
The volume offers a substantial and innovative appraisal of the role of the female voice from the perspective of... Læs mere
This book examines the ethical elements around Christian musicking.
This book, first published in 1985, stresses Beckett’s success as an innovator in the theatre through a close reading and analysis of his plays. ‘Their analysis is clever yet... Læs mere
How Music Empowers argues that empowerment is the key to unlocking the long-standing mystery of how music moves us. Drawing upon cutting-edge... Læs mere
Through a series of vivid case studies, Music and Creativity in Healthcare Settings: Does Music Matter? documents the ways in which music brings humanity to sterile healthcare spaces, and its significance for people dealing with major illness.
Listen, Learn, Appreciate, Communicate