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This book offers a unique and much-needed interrogation of the broader questions surrounding international performance research which are pertinent to the present and the future of Theatre and Performance studies.
Shay investigates the many motives that impelpeople to dance in these staged productions: dancing for sex or dancing sexydances, dancing for fun and recreation, dancing for profit - such as dancingfor tourists - dancing for the nation or to demonstrate ethnic pride.
Examining corporeal expressions of indigenousness from an historical perspective, this book highlights the development of cultural... Læs mere
Representing the first comprehensive analysis of Gaga and Ohad Naharin's aesthetic approach, this book follows the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company.
The consequence of this discourse has been a global revision of the solo dances of North Africa and the Middle East into new genres that are still part of the... Læs mere
In this new study, David Pattie examines the apparent contradiction between authenticity and theatricality in the live performance of rock music, and looks at the way in which... Læs mere
Exploring the Japanese tradition of hidden (or the secret transmission of) knowledge within a closed and often hereditary group, the... Læs mere
This book investigates the role Nietzsche's dance images play in his project of "revaluing all values" alongside... Læs mere
This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre.
This international collection on dance ethnography - the first of its kind - comprises original contributions on fieldwork in dance and human movement.
This book offers a compelling intersectional exploration of how disability is understood in relation to citizenship and global critical disability studies across diverse African cultures.