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Lauded as one of the most important poets and playwrights of the 20th Century, Federico Garcia Lorca was also an accomplished theatre director with a clear process and philosophy of how drama should be staged.
Now in its fourth edition, The Performance Studies Reader continues to offer an unparalleled selection of work by the foremost scholars in this continually evolving field, offering a stimulating introduction to the crucial debates of performance studies.
This book demonstrates Eugene O’Neill’s use of philosophy in the early period of his work and provides analyses of... Læs mere
This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy.
This study explores the formation, establishment, expansion, and disintegration of stage design as a modern profession and a recognized artform in Finnish theatres.
For entrepreneurs in the creative fields, decision making is both a necessity and an art. Applying creativity to... Læs mere
The book applies a productive interdisciplinary lens of art history, performance, and animal studies for approaching political... Læs mere
This book explores the relationship of the life and work of the remarkable Parisian-Jewish writer Georges Perec (1936-1983) to dance.
This book argues that dramaturgy makes things visible and does so in two distinct and interrelating... Læs mere
Relational Improvisation explores the creative exchanges that occur between artistic disciplines through the practice of improvisation in performance.
This book explores postmodern choreographic engagements of pregnant bodies in the US over the last 70 years.