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This work examines the dramatic changes in American women's comedy performance in the years 1955-1995. The study focuses on the stand-up of Phyllis Diller and Roseanne, and on the character comedy of Lily Tomlin.
Morgenroth delves into the choreographic processes of some of America's most engaging and revolutionary dancemakers to show how the ideas, craft, and passion that go into their work have led choreographers to disrupt known forms and expectations.
Crafting a dynamic relationship between feminism and music-making, this book offers a queerly original analysis of Oliveros’s work as a musical form of feminist activism and argues for the productive role of experimental music in lesbian feminist theory.
Talkin' to Myself: Blues Lyrics, 1921-1942 is a compendium of lyrics by the great blues recording artists of the classic blues era. It includes over 2000 songs,... Læs mere
This brief introduction to the life and work of Rudolf Laban describes how this work has been extended into the fields of movement therapy, communications, early childhood development, and other fields.
Working within the relatively new perspective on the body as a zone of critical praxis, Shapiro lays the foundation for the theory and practice of a somatically oriented critical pedagogy."
The eleven contributors to this volume investigate the connections between Nabokov's output and the fields of painting, music, and ballet.
Looks at the issue of politics and performance in America today with particular reference to the cases of performances produced by activists, the NEA Four, and 'Miss Saigon'
Choreographing Discourses brings together essays published by Mark Franko from 1996 to today. The volume contains the first critical assessments of... Læs mere
Joan Chodorow takes a detailed look at dance/movement as active imagination and provides a theoretical underpinning for it in Jung's psychology. The final part of the book shows the use of dance in the practice of psychotherapy.