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This book pioneers the discussion of the ability of lighting design to foreground shadow in dance performances.Through a series of experiments integrating light, shadow and improvised dance movement, it analyses what it advances as an innovative expression of shadow in dance.
This innovative work introduces the interdisciplinary field of research of kinesemiotics, offering a new adaptable model and means of analysis for understanding forms of movement-based communication, such as dance, that use a codified language shared by a community of users.
Involuntary Motion contributes to the study of refugee flight by using movement as a lens to explore problems in refugee performance and understand the experience of bodies in motion. It will be of great interest to students and scholars of performance, dance and politics.
The book is a wide-ranging collection of essays on Indian classical dance, including writings on dance appreciation, criticism, theory and philosophy of dance, as well... Læs mere
A collection presenting cutting edge research from music, dance, performance art, fashion and visual arts, written by scholar-practitioners working in Southeast Asia.
Examining photographs, illustrations, films and live performances, Peta Tait presents an extraordinary survey of 140 years of trapeze acts and the cultural identities that are presented by bodies in fast, physical aerial movement.
This book analyses and theorizes the efficacy of using applied theatre as a tool to address refugee issues of displacement, trauma, adjustment, and psychological wellbeing in addition to split community belonging.
This book provides the first comprehensive study of Anthony Neilson’s unconventional rehearsal methodology. Neilson’s notably... Læs mere
The Art of Tango offers a systematic exploration of the performance, arrangement and composition of the universally popular tango. The author discusses traditional practices, the De... Læs mere
Fifty Contemporary Choreographers is a unique and authoritative guide to the lives and work of prominent living contemporary choreographers. This third edition now features the most vital and creative choreographers working today.
This book offers a wide-ranging examination of acts of ‘virtual embodiment’ in performance/gaming/applied contexts that abstract an immersant’s sense of physical selfhood by instating a virtual body, body-part or computer-generated avatar.
The book approaches the topic from three perspectives in three main sections: Law in Opera, Law on Opera, and Law around Opera.