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In this series of essays, Thomas Leabhart presents a thorough overview and analysis of the roots of Etienne Decroux’s artistic genealogy.
Theatre and the Virtual lays out a set of conceptual instruments for the articulation and engendering of the forces of theatrical potentiality.
This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000.
Performing Resilience for Systemic Pain is a vulnerable book about the quiet presence and hard looking needed to shift systems away from their oppressive, destructive realities.
This edited collection explores methods for conducting critical empirical research examining the potential impacts of theatrical events on audience members.
The book develops the concept of hauntological dramaturgy by engaging with a series of performances that commemorate, celebrate, investigate, and sometimes seek justice for the dead.
Jean-Gaspard Deburau analyses the nature of the mime art of Deburau and of the pantomime performances of the Théâtre des Funambules in Paris in the context of Romantic art, literature and socio-political thought.
This book presents a range of approaches to the study of Old Norse poetry in performance. This book will be of great interest to students and scholars in the fields of Old Norse studies, Performance and Theatre History.
This volume considers performance in its engagement with expanding Indian cities, with particular focus on festivals and performances in... Læs mere
This book reconsiders the evidence for what we know (or think we know) about early modern performance condition.This exploration... Læs mere
This book covers playwright Martin Crimp’s recent work showing how it captures the nuances in our interpersonal contemporary experience.