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Fire Under My Feet seeks to expose the diverse, significant, and often under-researched historical and developmental phenomena revealed by studies in the dance systems of the African Diaspora.
Verbatim Theatre Methodologies for Community Engaged Practice offers a framework for developing original community-engaged productions using a range of verbatim theatre approaches.
This book explores how Romantic-era England conceptualized its relation to its constituent parts and the larger world through discussions of dancing... Læs mere
Tango and the Dancing Body in Istanbul explores the expansion of the Argentine tango social dancing among Muslim actors in Turkey, pioneered by Istanbul despite the conservative rule of Justice and Development Party (JDP) and Tayyip Erdogan.
The Routledge Pantomime Reader is the first anthology to document this entertainment genre—one of the most distinctive and ubiquitous in nineteenth-century Britain.
Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of ‘unspeakable’ love in one of the most famous love stories in literary history.
'Dramaturgies of Interweaving' explores present-day dramaturgies that interweave performance cultures in the fields of theater, performance, dance and other arts.
Pandemic Performance chronicles the many ways that people are surviving/thriving through performance in a global pandemic.
This collection of essays explores activist performances, all connected to theater or performance training, that have changed the Americas—from Canada to the Southern Cone.
This book examines select Australian theatre productions by director, Barrie Kosky. This text contextualizes the director’s early theatrical practice within its Australian theatre milieu.
Written soon before and in the middle of the Covid-19 pandemic when theatre ground to a halt and spectatorship was suspended, this book takes stock of spectatorship as theatre’s living archive and affirms its value in the midst of the present crisis.
The present volume, devoted solely to the composer’s operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameau’s operas.