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Dance Appreciation is an exciting exploration of how to understand and think about dance in all of its various contexts. This book unfolds a brief history of dance with engaging insight into the social, cultural, aesthetic, and kinetic aspects of various forms of dance.
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Examining photographs, illustrations, films and live performances, Peta Tait presents an extraordinary survey of 140 years of trapeze acts and the cultural identities that are presented by bodies in fast, physical aerial movement.
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This book analyses and theorizes the efficacy of using applied theatre as a tool to address refugee issues of displacement, trauma, adjustment, and psychological wellbeing in addition to split community belonging.
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This book provides the first comprehensive study of Anthony Neilson’s unconventional rehearsal methodology. Neilson’s notably... Læs mere
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The Art of Tango offers a systematic exploration of the performance, arrangement and composition of the universally popular tango. The author discusses traditional practices, the De... Læs mere
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Fifty Contemporary Choreographers is a unique and authoritative guide to the lives and work of prominent living contemporary choreographers. This third edition now features the most vital and creative choreographers working today.
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This work traces the abstraction and anonymity of the bodies making machines dance, in the codes of modernisms graphic and choreographic and in the streamlined gestures of industry, avant-garde art and entertainment.
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This book offers a wide-ranging examination of acts of ‘virtual embodiment’ in performance/gaming/applied contexts that abstract an immersant’s sense of physical selfhood by instating a virtual body, body-part or computer-generated avatar.
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The book approaches the topic from three perspectives in three main sections: Law in Opera, Law on Opera, and Law around Opera.
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Each chapter includes a drama workshop, illustrating in practice what embodying language in action can look like... Læs mere
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This book addresses Disney parks using performance theory. Certainly Disney presents a primary reading, but generations of critical theory have established the variety of reading strategies that interpreters can employ to read against the text.
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This book examines the history, ethics, and intentions of staging personal stories and offers theatre makers detailed guidance and a practical model to support safe, ethical practice.