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It explores state-funded National Theatre activities between escapism and denial, the theatre aesthetics of protest and resistance, and symptomatic shifts and transformations in the production of theatre under wartime circumstances, both in theory and in practice.
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W.
The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.
It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance.
The Federal Theatre Project, a New Deal plan to fund theatre and other live artistic performances during the Great Depression,... Læs mere
What world has been constructed for dancing through the use of the term 'world dance'? What kinds of worlds do we as scholars create for a given dance when we undertake to describe and... Læs mere
Music has extraordinary power to move us, but how and why does it affect us? What is going on, emotionally, physically and cognitively when listeners have strong emotional responses... Læs mere
Street theatre invades a public space, shakes it up and disappears, but the memory of the disruption haunts the site for audiences who... Læs mere
Employing a cultural theory approach, this book explores the relationship between popular dance and value. It traces the shifting value systems... Læs mere
This exciting new and original collection locates dance within the spectrum of urban life in late modernity, through a range of theoretical perspectives. from set dancing to ballroom dancing, to hip hop and swing, and to ice dance shows;
Dance theatre has become a site of transformation in the Irish performance landscape. This book conducts a socio-political and cultural reading of dance... Læs mere
This book seeks to understand the music of the later Middle Ages in a fuller perspective, moving beyond the traditional focus on the creative work of composers in isolation to consider the participation of performers and listeners in music-making.