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This book offers a unique and much-needed interrogation of the broader questions surrounding international performance research which are pertinent to the present and the future of Theatre and Performance studies.
The breadth of practice on offer illustrates the capacity of dance as a medium to adapt successfully to diverse approaches and, further, that there is a growing appetite amongst audiences for seeing dances from the near and far past.
Shay investigates the many motives that impelpeople to dance in these staged productions: dancing for sex or dancing sexydances, dancing for fun and recreation, dancing for profit - such as dancingfor tourists - dancing for the nation or to demonstrate ethnic pride.
Examining corporeal expressions of indigenousness from an historical perspective, this book highlights the development of cultural... Læs mere
Representing the first comprehensive analysis of Gaga and Ohad Naharin's aesthetic approach, this book follows the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company.
Street theatre invades a public space, shakes it up and disappears, but the memory of the disruption haunts the site for audiences who... Læs mere
Elephants, lions, tigers and leopards evoke fascination and awe, fear and excitement. This book analyzes trained acts in twentieth-century live... Læs mere
This book explores the nexus between gender, ageing and culture in dancers practicing a variety of genres. It challenges existing cultural norms... Læs mere
Begun as an audacious experiment, for thirty years the Hedgerow Theatre prospered as America's most successful repertory company. While known for its... Læs mere
Theatre and Performance in the Asia-Pacific is an innovative study of contemporary theatre and performance within the... Læs mere
With a political agenda foregrounding collaborative practice to promote ethical relations, these individually and joint written essays and interviews discuss dances often with... Læs mere