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Examines how George A. Romero’s extensive body of work participates in social critique by delving into issues such as capitalism’s pitfalls and excesses, domestic and racial power imbalances, and our patriarchal culture’s expectations of masculinity, femininity, and sexuality.
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How did beloved movie dogs become man-killers like Cujo and his cinematic pack-mates? For the first time, here is the fascinating history of canines in horror movies and why our best friends were (and are still) painted as malevolent canines.
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Offers a critical and contextual examination of 130 commercially released film comedies of the 1970s. Arranged chronologically, this book... Læs mere
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This collection focuses on the social forces and ideologies—such as race, class, gender, religion, and the economy—that play a key role in constructing and framing fear, monsters, and the monstrous across a range of films and eras.
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Bloody Women: Women Directors of Horror is the first book-length exploration of female creators at the cutting edge of contemporary horror, turning out some of its most inspired and twisted offerings.
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Haunted Laughter is a comprehensive study of film productions that have used comedy to represent Adolf Hitler, the Third Reich, and the Holocaust. Author Jonathan Friedman proposes a model and a set of criteria to evaluate the effective use of comedy as a means of representation.
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The Western and Political Thought: A Fistful of Politics offers a variety of engaging and entertaining answers to the question: What do Westerns have to do with politics?
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