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This volume is dedicated to the elusive category of the Hitchcock Touch, the qualities and techniques which had manifested in Alfred Hitchcock’s own films yet which cannot be limited to the realm of Hitchcockian cinema alone.
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This book examines the concept of coherence in film studies. The author then proceeds to a close analysis of stylistically perplexing narrative films, in order to demonstrate how we can broaden, expand and readjust the classical criteria of coherence.
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This book analyzes Walt Disney’s impact on entertainment, new media, and consumer culture in terms of a materialist, psychoanalytic approach... Læs mere
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This collection emphasizes a cross-disciplinary approach to the problem of scale, with essays ranging in subject matter from literature to film, architecture, the plastic arts, philosophy, and scientific and political writing.
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This book is about poison and poisonings; These considerations lead the editors of this volume to the notion of “precarious identities” as a key discursive marker of poisons and related substances.
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The book will appeal to international scholars, students and educators within the fields of Holocaust Studies, Film Studies, European Cinema and Women’s Studies.
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The book shows how Ricœurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics.
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In 1968, Stanley Kubrick completed and released his magnum opus motion picture 2001: A Space Odyssey; This book is a tour de force of... Læs mere
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This book presents a new reading of film noir through psychoanalytic theory.
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AsPixar films refashion traditional American figures, motifs and narratives forcontemporary audiences, this book looks at their politics -... Læs mere