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This book explores television's current fascination with the Edwardian era. By exploring popular period dramas such as Downton Abbey , it examines... Læs mere
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How does film affect the way we understand crises of the body and mind and how does it manifest other kinds of crises levelled at the spectator?... Læs mere
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This book explores connections between the diverse ideas of Melanie Klein, Jean-Paul Sartre and Ingmar Bergman. These ideas are explored in relation to their shared focus on imagination and through detailed readings of a number of Bergman's key films.
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This book posits adaptations as 'hideous progeny,' Mary Shelley's term for her novel, Frankenstein . Like Shelley's novel and her... Læs mere
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This book is a thought-provoking study that expands on film scholarship on noir and feminist scholarship on postfeminism, subjectivity, and... Læs mere
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Return to Twin Peaks offers new critical considerations and approaches to the Twin Peaks series, as well as reflections on its significance and legacy.
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In this account, Oliver Ross challenges the preconception that, in the contemporary world, a grand narrative of sexuality circulates globally and erases all pre-existing narratives and embodiments of sexual desire.
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Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film explores 'physical spectatorship': the... Læs mere
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This study provides the first book-length critical history of storyboarding, from the birth of cinema to the present day and beyond. It discusses the role of... Læs mere
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What does popular culture's relationship with cyborgs, robots, vampires and zombies tell us about being human? Insightful scholarly... Læs mere
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Adopting an interdisciplinary approach, The Visual Music Film explores the concept and expression of musicality in the visual music film, in which visual presentations are given musical attributes such as rhythmical form, structure and harmony.
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Therapy and Emotions in Film and Television explores, from an interdisciplinary perspective, the shifts in our emotional preferences, styles, and 'emotional regimes' in western societies from the 1920s to today, as viewed through the lens of film and television.