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Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone.
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Uncanny computer-generated animations of splashing waves, billowing smoke clouds, and characters’ flowing hair have become a ubiquitous presence on screens of all types since the 1980s.
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This book provides a groundbreaking exploration of silent film performance. It combines close reading of silent screen acting with theoretically... Læs mere
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This book places long overdue focus on the Palestine solidarity films of two important Arab women directors whose cinematic works have never received due attention within the scholarly literature or the cultural public sphere.
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The book concludes with Logan, Wonder Woman 1984, and Amazon Prime’sThe Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon.
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Narrative is everywhere and has unique powers: to enchant and inspire, to make sense of our lives and ourselves and to afford us an enriched understanding of alternative worlds and lives and of better futures – though narrative also has the potential to coerce and oppress.
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This book explores how politics, religion and cinema encounter and re-invent each other in contemporary Turkish cinema. Thwaites discusses how the cinematic nature of politics and religion unfold amidst the increasing media visibility of religion in contemporary Turkey.
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This book is an interdisciplinary study of the human drama of replacement. On Replacement consists of 24 essays divided into seven sections: What is replacement?, Law & society, Wayward women, Lost children, Replacement films, The Holocaust and Psychoanalysis.
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This unique study opens up a new dimension of Terrence Malick’s cinema – its expressions of unseeing and hearing.
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DeMille’s sudden mid-career shift away from spectator perversity to corporate propagandist permanently tarnished the director’s historical standing among scholars, yet should not overshadow the profound links between his success and the rise and fall of mid-century mass culture.