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A bold new account of its subject, Cinema Expanded provides the first scholarly studies of lesser-known avant-garde cinematic works, in addition... Læs mere
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In this enthralling, sharply observant memoir, the author of In the Cut maps her journey from working as a model and script reader in seventies' Hollywood and New York to becoming a novelist and a voice for female empowerment
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Few directors of the 1930s and 40s were as distinctive and popular as Preston Sturges, whose whipsmart comedies have entertained... Læs mere
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Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami’s films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work.
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One of the most prolific and respected directors of the Japanese cinema, Naruse Mikio (1905-69) made eighty-nine films between 1930 and 1967. This book illuminates Naruse's contributions to Japanese and world cinema.
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This lucid, comprehensive and fascinating study shows Robbe-Grillet’s contribution to the evolution of the cinematic art both in France and internationally to have been considerably more important than previously acknowledged. -- .
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This collection brings together for the first time a range of contributions aimed at a new understanding of the Italian horror cinema genre.
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Federico Fellini's script for perhaps the most famous unmade film in Italian cinema, The Journey of G. Mastorna (1965/6), is published here for the... Læs mere
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Johnny Cash is a giant of American music. This book is a tribute to the life, career and influence of this American man.
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This is the first book to be published on one of the greatest American designers of the 20th century, who was as famous for his work in film as for his corporate identity and graphic work
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With films such as "The Brood" and "Videodrome", David Cronenberg established himself as Canada's most provocative director. This title charts his development from... Læs mere
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This book offers a new interpretation of Ozu Yasujiro’s career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozu’s depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence.