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Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami’s films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work.
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American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film.
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Offers a unique first-hand account of Ken Loach's working methods.
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Offers a unique first-hand account of Ken Loach's working methods
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Reconceptualising Almodóvar’s films as theoretical and political resources, this innovative book examines a neglected aspect of his cinema:... Læs mere
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This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries.
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Traces Wong Kar-Wai's perennial themes of time, love, and loss, and examines the political implications of his films, especially concerning the handover of former British colony Hong Kong to... Læs mere