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Eighteenth-century drama is often dismissed as homogenous, aesthetically uninteresting, or... Læs mere
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This collection investigates dramatic and performative renderings of 'America' as an exilic place particularly focusing on issues of language, space and identity. It looks... Læs mere
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In recent years, the 'Popular Shakespeare' phenomenon has become ever more pervasive: in fringe productions, mainstream theatre, or the... Læs mere
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A rich analysis of the discourses and figurations of 'crisis masculinity' around the turn of the twenty-first century, working at the intersection of performance and cultural studies and looking at film, television, drama, performance art, visual art and street theatre.
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This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics... Læs mere
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This innovative study examines the role of memory in the history of theatre and drama. Favorini analyzes issues of memory in self-construction, collective... Læs mere
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Theatrical Improvisation provides an in-depth analysis of short form, long form, and sketch-based improv - tracing the development of each form and the principles that define and connect the styles of performance.
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Comedy Matters traces the long tradition of the expansive comic embrace of cultural difference and diversity that manages to survive even in some of mankind s darkest moments.
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By rethinking contemporary debates regarding the politics of aesthetic forms, Gender and Allegory in Transamerican Fiction and Performance explores how allegory can be used to resolve the "problem" of identity in both political theory and literary studies.
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Street Scenes offers a theory of late medieval acting and performance through a fresh and original reading of the Tretise of Miraclis Pleyinge.
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This book looks at Cuban and Argentine theater of the late 1960s and early 1970s to see how the idea of spectacle as violence was used to comment on and question the social and political violence that was unfolding offstage.
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It shows how actors, directors and playgoers have responded to the demands of 'historical' constraints (and unexpected freedoms) to provide valuable new insights into the dynamics of Elizabethan theatre.