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In 19th-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible.
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Opera, for its inherent multimedia nature (text, music, scenography, ballet, representation), lends itself to interdisciplinary, including those that touch upon legal topics.
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This is the first full-length account of the history and working practices of Amsterdam’s Mickery Theater.
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An invaluable handbook explaining the relationship between the drama text and the theory and practice of drama in performance. It also explains the meanings and methods of semiotics and addresses key texts from Sophocles to Caryl Churchill.
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An entertaining and highly illuminating account of Commedia's origins as a popular theatrical form, plus a practical and timely step-by-step guide to using commedia techniques in performance.