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This book maps South Asian theatre productions that have contextualised Ibsen’s plays to underscore the emergent challenges of postcolonial nation formation.
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent presents a comprehensive and systematic approach to accent acquisition for actors.
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent presents a comprehensive and systematic approach to accent acquisition for actors.
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This book focuses on the role of La MaMa Experimental Theatre within Avant-garde theatre during the Sixties and Seventies.
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Improvisation the Michael Chekhov Way: Active Exploration of Acting Techniques provides readers with dozens of improvisational exercises based on the acting techniques of Michael Chekhov.
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Improvisation the Michael Chekhov Way: Active Exploration of Acting Techniques provides readers with dozens of improvisational exercises based on the acting techniques of Michael Chekhov.
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This book argues that Shakespeare and various cultures of celebrity have enjoyed a ceaselessly adaptive, symbiotic relationship since the final decade of the sixteenth century, through which each entity has contributed to the vitality and adaptability of the other.
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This book offers tools to address the growing and urgent interest in exposing and challenging unconscious biases in the studio, exploiting how actor training uniquely combines elements of education and culture.
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Stanislavsky and Race is the first book to explore the role that Constantine Stanislavsky’s "system" and its legacies can play in building, troubling and illuminating today's anti-racist theatre practices.
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Stanislavsky and Race is the first book to explore the role that Constantine Stanislavsky’s "system" and its legacies can play in building, troubling and illuminating today's anti-racist theatre practices.
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This structural account of independent performing arts in Europe is complimented by an analysis of the challenging social situation within the field.