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This first collection of essays by performance theorist and critic Philip Auslander surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
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The book advances a new performance theory or mode, ‘trauma-tragedy’, that suggests much contemporary performance can generate the sensation of being present in trauma through its structural embodiment in performance, or ‘presence-in-trauma effects’. -- .
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Collects together Knox's writings, published and unpublished, on various performers with whom he worked or was familiar, and on the art and craft of acting.
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SINGER AND ACTOR: ACTING TECHNIQUE AND THE OPERATIC PERFORMER
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This is the first study dedicated to understanding the work of female Method actors on film, analyzing performances such as Kim Hunter’s in A Streetcar Named... Læs mere
Bemærk: Kan ikke leveres før jul.
This is the first study dedicated to understanding the work of female Method actors on film, analyzing performances such as Kim Hunter’s in A Streetcar Named... Læs mere