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" ... [this book] equips readers with a clear understanding of how research in cognitive neuroscience has illuminated and expanded traditional approaches to thinking about topics such as the performer, the spectator, space and time, culture, and the text."--Provided by publisher.
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This new edition of Twentieth Century Actor Training is an indispensable introduction to how actor training shapes modern theatre. Its coverage of key practitioners and movements is enhanced by the inclusion of eight more practitioners and forty more photographs.
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Fifty monologues for women drawn from classical plays throughout the ages, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way.
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Between 1935 and 1938, Stanislavski did his final work in Moscow with a group of 11 young actors and directors trained in his special "system". This volume contains a full translation of verbatim transcriptions of Stanislavski's notes and practical exercises from these sessions.
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Michael Lugering's The Expressive Actor presents a foundational, preparatory training method, using movement to unlock the entire acting process. Its action-based perspective integrates voice, movement and basic acting training into a unified approach.
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An intensely practical handbook for actors on how to cope with text, subtext, character and situation.
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A selection of the best contemporary scenes for two female actors. In the Good Audition Guides series.
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A selection of the best contemporary scenes for two actors, one man and one woman. In the Good Audition Guides series.
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A practical guide to the skills, characters and history of Commedia Dell'Arte through graded games and illustrated exercises - a useful tool in any actor's training and a discipline for all forms of physical theatre.
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Written by an experienced teacher, and illustrated by line drawings and photographs, this book takes the actor step by step through the crucial process of choosing and performing an audition piece.