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Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger’s thinking, to examine the way technology manifests, influences, and becomes used in performer training discourse and practice.
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Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger’s thinking, to examine the way technology manifests, influences, and becomes used in performer training discourse and practice.
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"Originally published by Focal Press 1984."
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Owning Our Voices offers a unique, first-hand account of working within the Wolfsohn-Hart tradition of extended voice work by Margaret Pikes, an acclaimed voice teacher and founder member of the Roy Hart Theatre.
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Owning Our Voices offers a unique, first-hand account of working within the Wolfsohn-Hart tradition of extended voice work by Margaret Pikes, an acclaimed voice teacher and founder member of the Roy Hart Theatre.
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Jerzy Grotowski’s Journeys to the East is an unusual collection of facts, quotations, and commentaries documenting the real and metaphorical journeys of the Polish... Læs mere
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A History of Contemporary Stage Combat chronicles the development of stage combat from the origins of the Society of British Fight Directors in 1969 to the modern day.
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A History of Contemporary Stage Combat chronicles the development of stage combat from the origins of the Society of British Fight Directors in 1969 to the modern day.
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Analysis through Action for Actors and Directors is a comprehensive view of an innovative and exciting process for making new theatre.
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Analysis through Action for Actors and Directors is a comprehensive view of an innovative and exciting process for making new theatre.
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This is a ground-breaking new book that re-considers a range of trajectories of influence across the established canon of twentieth century practices and challenges conventions of performer training historiography.
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Commedia dell'arte, its Structure and Tradition chronicles a series of discussions between two renowned experts in Commedia dell'arte — master practitioners Antonio Fava and John Rudlin.