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Inspired by a series of debates at the Conference of Women Theatre Directors and Administrators, the articles in this issue record the history of women in the theatre and honour... Læs mere
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This work examines the Japanese Noh theatre historically, philosophically (with an evaluation of Zeami's treatises) and in respect of the Noh training. It... Læs mere
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Focusing on Commedia Dell'Arte, this work provides a historical and critical commentary of the Commedia. It highlights common factors between this genre and... Læs mere
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This work investigates the use of mask in the Masquerade traditions of West Africa, specifically Nigeria. The author argues in favour of a common language of mask performance and focuses on the work of Wole Soyinka. Also presented is the author's trilogy of plays, "Touch".
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A collection of essays, memoirs and plays that represent an early attempt to assess and reassess the German Democratic Republic's theatre following the political events and turning points of 1989 and afterwards. Contributors include Christoph Funke, Carl Weber and Jost Herand.
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Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished.
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The complex nature of the relationship between theatre and politics is explored in this study of the Polish theatre scene. It traces the development of the alternative theatre movement from its origins, in the 1950s, through to its decline in the late 1980s.
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Four American women - Marcia Siegel, Deborah Jowitt, Arlene Croce and Nancy Goldner - have contributed to the writing culture for dance criticism. This work offers an analysis of their styles and ideas from 1965 to 1985, the "Golden Age of Dance" in New York.
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A study of Yury Lyubimov's tempestuous career and his style of theatre. This work traces the development of his ideas, from his arrival at the Taganka... Læs mere
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The volume offers readers a chance to engage in debates on topical issues, to widen their knowledge and understanding of black performance and to catch something of its spirit from the combination in the text of critical comment, practitioner insight and personal testimony.
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In this new and updated edition of his well-known study, readers will gain insight into a key period of theatrical history and the life of one of its most fascinating individuals.