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The English Theatrical Avant-Garde 1900 – 1925 brings to light an extensive range of hitherto forgotten or ignored theatre practices, uncovering a new look at some of the well-known figures of the early Twentieth-Century English theatre.
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This book focuses on the influence of classical authors on Ben Jonson’s dramaturgy, with particular emphasis on the Greek and Roman playwrights and satirists.
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This book is an investigation of church music through the lens of performance theory.
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In this wide-ranging study, pianist and scholar Andrew John Snedden takes a step back, examining the strengths and limitations of Historically Informed Performance.
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This book explores the concept of playmaking and activism through three research projects in which culturally and linguistically diverse high school students and young adults created original theatre around the issues that inform their lives and constrain their futures.
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Social arts are manifold and are initiated by multiple actors, spaces, and direction... Læs mere
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This book provides the first comprehensive study of Anthony Neilson’s unconventional rehearsal methodology. Neilson’s notably... Læs mere
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The Routledge Companion to Black Women’s Cultural Histories is an impressive and comprehensive reference work for contemporary scholarship on the cultural histories of Black women across the diaspora spanning different eras from ancient times into the twenty-first century.
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The essays in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media.
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This book elucidates how learning from actors enables an intense education of attention for anthropologists. Actors perform the perception... Læs mere
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This book examines the performance of Bauls ‘folk’ performers from Bengal, in the context of a rapidly globalizing Indian economy and against the backdrop of extreme nationalistic discourses.
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This book provides the first extensive analysis of what sound and audio brings to participatory interdisciplinary arts-led research and practice, representing a vital resource for community arts, performance practice, and research in the digital age.