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With a focus on the dynamics of actors, institutions, and the processes embedded in considerations of regional and cultural diversity, this book traces Canada’s sovereignty journey.
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Ruin and Redemption is the first full-length study of the origins of Canadian bankruptcy law, making it an important contribution to the study of Canada's commercial law.
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Hamilton Babylon is a fascinating study of the tension between art and business in the growth of the Canadian film industry.
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From Colonial to Modern examines representations of girls in Canadian, Australian, and New Zealand girls’ literature to trace how colonial authors transformed British feminine norms to produce transnational ideals and modern, nationalised femininities.
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Force of Culture examines Massey's notion of culture, its conflicted roots in late nineteenth-century and early twentieth-century Canadian Protestant thought, and Massey's transformation into a champion of culture as a bastion of Canadian sovereignty.
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Without question Volume XV of the DCB/DBC will take its place as one of the finest to appear in this distinguished ongoing series of Canadian lives.
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Christopher Moore's history of the Court of Appeal for Ontario traces the evolution of one of Canada's most influential courts from its origins to the post-Charter years.
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Documentaries have dominated Canada's film production and have been crucial to the formation of Canada's cinematic identity. This volume will be an indispensable companion for anyone seriously interested in Canadian film studies.
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The history of eight Canadian business faculties are examined through a series of essays in their search for professional legitimacy.
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No serious student of Canada's past can function without access to this thorough, balanced and reliable source." R. Hall, Globe and Mail.
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This is the first historical study to examine changing perceptions of sexual murder and the treatment of "sex killers" while the death penalty was in effect in Canada.
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Written over more than two decades, and covering the immediate post-Confederation period to the 1960s, these essays reveal a distinctive Canadian tradition of thinking about the nature and functions of law, one which Risk clearly takes pride in and urges us to celebrate.