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This book is a critical examination of the socio-historical condition in which the discourse of local diversity emerged and gradually permeated Taiwan's public culture.
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Based on field-work in Taiwan, this book examines the cult of Tudi Gong both as a religio-social phenomenon and as an appropriate medium for exploring and analysing the social changes that have been occurring in contemporary Taiwan.
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This work examines the structure and illegal activities of organized crime groups in Taiwan and explores the infiltration of crime groups into the... Læs mere
Bemærk: Kan ikke leveres før jul.
This work examines the structure and illegal activities of organized crime groups in Taiwan and explores the infiltration of crime groups into the... Læs mere
Bemærk: Kan ikke leveres før jul.
Sponsored by MIT's Industrial Performance Center, this book examines the impact of globalization on the industry and economy... Læs mere
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For centuries the island of Taiwan has been a crossroads for traders and settlers from around the world. Unlike China, with its tradition... Læs mere
Bemærk: Kan ikke leveres før jul.
For centuries the island of Taiwan has been a crossroads for traders and settlers from around the world. Unlike China, with its tradition... Læs mere
Bemærk: Kan ikke leveres før jul.
Bemærk: Kan ikke leveres før jul.
This book is the first socio-intellectual history of the Dharma Drum Lineage of Chan (Zen), a new form of Buddhism founded by the late Chinese Buddhist cleric, Sheng Yen (1931-2009)—arguably one of the most influential Chan masters in contemporary times.
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This book offers a substantive assessment of the first Tsai Ing-wen administration, investigating different policy fields and issues from 2016 to 2020.
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This book introduces a simple idea: when we tell a story, we tell a story and at the same time create the world where this story takes place. It is this sense of alterity that creates the stories about this place and, as a consequence, creates this place and its special identity.
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This book traces the transformation of traditional Chinese theatre’s (xiqu) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978.