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In this new addition to the Collège de France Lecture Series Michel Foucault explores the birth of psychiatry, examining Western society's... Læs mere
Challenging the standard views that individual leaders either have all the power or little room to move in the making of foreign policy, this book demonstrates various ways that leaders succeed by manipulating elements of their domestic and international environments.
This is the first book to study the work and influence of Elizabeth Cary, author of the first original play by a woman to be printed in... Læs mere
It aims to portray Hong Kong history through the perspectives of foreign communities - the British, Germans, Americans, Indians and Japanese - and to understand how they perceived the economic situation, political administration and culture of the colony.
This volume brings together specialists from a variety of disciplines to develop a deeper understanding of the social, political, and cultural history of women in Italy in the years 1946-1960.
By the 1780s in the city of Barcelona alone, more than 150 factories shipped calicoes to every major city in Spain and across the Atlantic. This book narrates the lives of... Læs mere
A fascinating, first-hand account of the bureaucratic and public struggles that lead to the... Læs mere
This book redefines the plays and theatrical culture of the years 1625 to 1642 as something more than simply... Læs mere
Includes essays, which examine modernism in Germany and Scandinavia by focusing on the relation between culture, politics, and critical ideological endeavours.
Terrorism is often seen as a Middle Eastern problem and terrorists are often perceived as only having a Muslim background. It may surprise many to learn that Americans are and have... Læs mere
This is the first scholarly study of soldiers and guerrillas demobilized after the civil war in Mozambique (1979-1992). The book examines former soldiers' - from both sides - return to civilian life, and how their identity as veterans plays out in the political sphere.
This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre.