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The Black Death was the worst pandemic in recorded history. This book presents a major reevaluation of its immediate impact and longer-term consequences in England.
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Studying texts by Lorenzo Valla, Erasmus, Saint Jerome, George Gascoigne, and Fulke Greville, this volume explores authorial character as an instrument of textual analysis in the scholarship of early Renaissance literature.
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What do we learn if we look in parallel at the past of two distinct parts of the world? A novel and stimulating approach, this volume compares the central Sahel of West Africa to Northern Europe to develop our understanding of what life was like for our medieval predecessors.
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Murtada al-Zabidi was a Humanist scholar and a Muslim, whose twelfth-century writings are here examined in the context of their geographical and historical setting.
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This volume discusses various aspects of stained glass development in France, covering glaziers, techniques, design, iconography, and regional... Læs mere
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In this second volume of Professor White's studies, the emphasis shifts to Italian art in the thirteenth and fourteenth centuries, and the major figures who were... Læs mere
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A Festschrift for Christopher Walter featuring studies on Byzantine church ritual and art by contributors including Jeffrey Anderson, David Buckton,... Læs mere
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Twenty papers combining archaeology and bioarchaeology to give a sophisticated picture of life and death in Asia Minor from ca. 200 BC – to AD 1300.
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Excavations at 1–2 and 3 Redcliff Street, Bristol, revealed domestic and industrial remains dating from the establishment of the Redcliffe suburb in the 12th century through to the later post-medieval period.
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This volume presents the results of the medieval component of the Nemea Valley Archaeological Project (NVAP) survey conducted from 1985-1990. The archaeological evidence points to a proliferation of sites dating to the 12th-13th century A.D.
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An exploration of Irish medieval art in a European context, looking at social and political aspects, racial divisions,... Læs mere
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A pupil of André Grabar, Tania Velmans has worked for over thirty years on the art of the Byzantine empire and its wider diffusion throughout the neighbouring Slavic lands. This volume makes available sixteen of the author's studies divided into four sections.