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This collection of twelve critical essays on women's poetry of the eighteenth century and enlightenment is the first to range widely over individual poets and to undertake a comprehensive exploration of their work.
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This collection explores the complex political thinking of a fundamental period of Irish history. It investigates the great political issues of the day - the constitutional thinkers and politicians involved in these struggles.
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1798 is a significant date in literary history: in that year the Lyrical Ballads were published anonymously by Joseph Cottle, the Bristol bookseller.
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Kirsty Carpenter puts a human face on the victims of revolutionary legislation. London had the largest community of émigrés. It had the most... Læs mere
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Bacchus in Romantic England describes real drunkenness among writers and ordinary people in the Romantic age. his companion Coleridge writes... Læs mere
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Hampson describes how the French Revolution, which seemed to promise an era of Franco-British partnership, led to an even... Læs mere
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This study challenges the conventional polarities used to describe British politics of the 1790s; Pitt versus Fox, Burke versus Paine, Church versus Dissent, ruling class versus working class, Jacobin versus anti-Jacobin.
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The spectre of revolution and the nature of radicalism in Britain from the late eighteenth century through to the age of the Chartists has for some time engaged the interest of scholars and been the topic of much debate.
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The French Émigrés in Europe and the Struggle against Revolution, 1789-1814 underlines, for the first time, the achievements... Læs mere
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This book examines the impact of French society on English culture in the second half of the eighteenth century.
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Fourteen wide-ranging chapters by distinguished international scholars treat key aspects of the rapidly changing political and cultural scene in France from the First Republic, through the Consulate and Empire to the death of Louis XVIII in 1824.
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The advent of relatively cheap editions in the mid-sixteenth century produced an explosion of verse, much of which represented the first person speaker as a version of the author.