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In 1987, photographer Sandra Dyas moved to Iowa City and began documenting the area's vibrant live music scene. This work contains sixty photos which capture her twenty years of photographing live music venues and shooting portraits of musicians in and around the city.
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Tells the story of how Angola's urban residents in the late colonial period (roughly 1945-74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence.
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